Full On Wow

D, came by for tea and I Ching. She cast #3, Difficulty, moving into #8, Accord. There is only one small movement in the first line, moving from yang to yin, which, though small or seemingly hidden, is significant.

           

The little personal shifts we make on any given day-to-day are like setting something into a spiral motion: as we travel further away from that shift, or decision, the eventual breadth and perspective we gain is significant. So too might every decision be, if we be granted our thoughts the attention they ask for.

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The top trigram is consistent in both hexagrams: water, each line comprised of young or new energy, is constant and unchanging here. Water, synonymous with mastering pitfalls, or danger, and contains a hidden - yet definite - invitation to use every ounce of wisdom one has. Water, in I Ching, is an invitation to uncover its compliment, Fire, or, Illumination.

D & I meditated on the images and qualities here of Water, Thunder, and Earth, finding that the internal (lower trigram) shift from Thunder into the receptivity of Earth was a very significant energistic shift - affecting the quality of the mastering pitfalls in the above, the outside upper trigram.

That the water stays consistent in both hexagrams holds this invitation toward wisdom at the forefront for any keen observer. Water (mastering pitfalls) is a constant element at all moments in the I Ching, and here indeed we see an immediate example of that, and the coin toss in this particular instance invites the solution of Accord.

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The line in the fifth position of any given hexagram is significant, and generally is seen as a boon if it is yang energy. Here, with Accord, being surrounded by yin, the ready caution is of passivity, though certainly after a time of Difficulty, rest is necessary. Yet the double invitation here is to absorb one's learning. That is, to not loose sight of the recent difficulty, but to mine it for its true, directional value.

The quality of accord is of receptivity inside the 'danger' of water. Danger here can also depict mystery, like any still body of water, what lies beneath the surface generates much emotion.

Amid that feeling, if one injects into the absolute centre of it this idea of receptivity, the magic of Accord comes into view.

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The Earth element is key. Our Earth receives everything we give: bulldozers, toxic spills, shovels, projectiles, trash, urine, rain, lightning... the Earth simply gives way. It is the ultimate embodiment of the Receptive principle. Coupled this to the water element in Accord, and the illumination carried within a prior time of difficulty rises to the surface..

The fifth position is like 'upper management.' Or your most trusted advisor: close to the leadership, holding much knowledge and influence. That this 'advisor' is surrounded by the Receptive brings forward the image of riding that edge in meditation where you are close to falling asleep(!) yet one has to stay alert just enough to take in the full breadth of information at hand. Amongst the Receptive, the wealth of information it receives is truly limitless. Accord is the method by which one relaxes ever more deeply into the practical value of wonder, allowing the neural-chemical process to unveil, out from the shroud of daily stresses and battles we are habituated to. Its invitation reaches as deep as you are willing to travel. Thus moving from Difficulty to Accord is a time for being the sponge, for soaking up the lessons one has weathered; a true time of gratitude and appreciation for having arrived at this moment.

Old and New. Part I.

I had again the pleasure to cast I Ching this week - twice, graciously! - for two friends, one old, one new. 

SG, cast "16, Joy," moving into "13, Sameness with People." 

               

"Joy," interestingly is where I began writing the Book of Gardens: it was the first poem upon which I discovered so many 'rules' which would hold the Book together, as an artwork, and, as a contribution to the lineage of I Ching interpretation. That SG cast 16, brought about this memory for me: that Joy, is a great place to begin something.

Hexagram 16 is characterized by the image of Earth inside the image of Thunder. Earth is characterized by three lines of yin - broken lines - and whose nature, then, is flexible and of pure receptivity. When I was once lost to anger, I was advised to go and 'pound the earth,' or plow it, or hit it with a stick, as, "she could take it." Indeed, the Earth's embrace of our treatment is Great: met with an individual, she subdues, soothes, and loves. Though pure yin is often characterized as 'female,' I prefer to use 'The Feminine,' or better, 'the receptive.' Gender is often referred to in the I Ching, under several contexts, but if taken too literally, like, 'women are this way, and men are that way,' I find that what I Ching can offer a person begins to sound antiquated, or even silly.

Yes. Silly. (Click this!)

SG, is receptive quite naturally, and currently works in children's programming, a field which inherently asks for patience and fortitude. He also recently took on greater levels of responsibility within his organization. Between these two facts I found his casting of coins to be quite exciting. Comparing hexagrams 16 and 13 (in that order), the lower trigrams (bottom three lines) are moving from pure receptivity (earth) into illumination (fire), and the top trigram is moving from the action of thunder into the fuller action of heaven (pure yang). This suggests to me that if he continues along the active ground of being receptive - being actively receptive - this natural open welcome he possesses will allow him continued success toward the instruction and guidance of others - namely the young. Put another way, in all his actions, journeying from the inside and into the outward action of the work place, SG can travel quite literally from Earth to Heaven, from full and pure receptivity into full and pure action.

Presence, brings about Greatness.

If we look solely at the bottom lines of each trigram in this pair of hexagrams - that is, lines one and four in each body - there is a goodly amount of balance and constancy. The first (bottom) line of a trigram generally describes what takes place in a person's own self knowing. The fourth line of a hexagram depicts how they move this self awareness into the world. In 'Joy,' yin and yang are paired in the first and fourth lines, balancing each other. And SG here, is coming into a situation where he is rather balanced: he is self aware, receptive and humble to new information, and un-afeared to put his person into the world at large. At this time of change, of enhancement lets say, SG is moving into a time of greater action, as seen in the yang line in the first position of 'Sameness with People.' The yang lines in positions one and four of 'Sameness' can be interpreted here as mutually supporting one another, and there is also the potential of going to far, or being excessive. This is a mild caution in this case, as, moving from 'Joy' to 'Sameness,' the fourth line remains constant, and is supported by the other yangs of 'Sameness,' depicting a good/solid/supported outcome.

'Sameness,' first requires self-knowing, which SG practices in abundance. The bottom trigram of 'Sameness with People' is fire, or, illumination. Illumination inside, followed with heaven outside - fire into heaven. By pairing 'Joy' and 'Sameness with People,' we can see that flexible knowing, well rooted, is leading SG toward illuminated knowing: his personhood is growing, or, ascending. As indeed it should...

SG happens to be in his fifties. As the Chinese saying goes: "when you are 30, you are ready to walk; when you are 40, no one can fool you." And though I do not remember exactly what follows at 50, or 60, and onward... I would hazard to say that 'when you are 50, you can no longer fool yourself!'  Certainly, if there is grace in this life, SG reflects such by his general pleasant and optimistic demeanor. That he is in the position to guide children is in my opinion a beautiful thing, as his strategy of self awareness and self knowing appears to be moving toward being shared prolifically, shared well, and with grace, all by virtue of his inner life being flexible, receptive, and constant. When we look at the fourth lines of 'Joy' and 'Sameness,' both are yang, and again, this is the position of how ones self knowing moves through the world. There is a slight caution here of over-compensation for perhaps once being too passive (ie: the lower three yin lines in 'Joy'). On the flip side of that, lies the interpretation of constancy; that, things just get better as they age.

The other transition of note here is that in 'Joy,' there is only one line of yang; and in 'Sameness,' there is only one line of yin. The line of yin in 'Sameness' is in the second position - a lower chakra - and so I recommended that SG perhaps incorporate some more ginger into his diet (I like using ginger for tea myself: keep fresh roots in the freezer and grate the desired quantity into a tea cup for a spicy and pleasing drink). I wanted him to be certain that in this time of natural growth and expansion that his foundation (his kidneys) were well supported with routine care. Ginger tea, is easily something to look forward to, and so this caution is really a very light one. 

SG and I have crossed paths in a variety of circles over the years, and it was a true pleasure (honour!) to connect with him through my beloved study of I Ching. SG is clearly the person I had always sensed: a positive spirit, receptive and trustworthy, and a gentle leader. Thank you SG!! You are a fine example for us :) 

If anyone would like me to expound further on the pairing here of the second and fifth lines, or the third and six, do let me know. Each pairing reflects a different area of our life, and the pairing of hexagrams details how we are changing at this time; what we can work toward, hope for, and be cautiously aware of. A total appreciation of the Change at hand often brings about increased self awareness, acceptance, conscientiousness and tranquility. 

Thank you SG!! :)