Observing Opportunity.

{ photo credit }

Human curiosity is a lovely timeless thing. No matter what life hands us, curiosity truly just waits under the surface.

To that end, I met with a curious new friend for a hike and I Ching Guidance the other week. No, I'm not giving guidance to cats just yet - we'll save that for our later years - but curiosity and cats do pair together so well, and the site of 'dressing cats up as sushi' seemed too good to pass over. 'Hell' may be fashioned for the inquisitive, but I'd rather ask, than have a hell sneak up on me.

My friend S cast the following combination of hexagrams, with one minor movement of old yin into young yang in the top, sixth, line. This is in the area of how S moves, acts, and thinks on society as she is out-and-about in the world. Such an area for change is something which I think many of us will relate to today: how we are perceived, our life satisfaction, our vulnerabilities, our habits, and what is available to us to answer the questions and callings within...

My last post illustrated decently the areas of image, quality, and character contained by a hexagram study, so rather than explain these fresh again here, I'll dive into the deep end.

                        

    

On the left, hexagram #8 Accord, is characterized by the image of Earth inside Water. The qualities of which are receptivity inside danger, or, receptivity inside mastering pitfalls.

Hexagram #20 Observing, on the right, is characterized by the image of Earth inside Wind. The qualities of which are receptivity inside action.

{ photo credit }

Briefly meditate on these images/qualities for a moment. The inside (the body, or the belly) is filled with the receptive, the Earth. Imagine how readily the Earth bends to our will. It accepts whatever is given: storms, fires, excavations, industry, grumpy humans throwing things at it... The Earth makes way and accepts all the forces that move above and through it.

Breathe deep into your belly and torso this notion of receptivity, or the receptive. Breathe with this for several large breaths until you begin to relax and the imaging becomes more subtle... Underneath the surface of our Earth, thrive millions and millions of its subjects, churning out a rather serious cosmic compost, giving and taking lives, ashes to ashes, dust to dust... Breathe this sense of Earth into your belly.

When life hands us a big challenge it is surprising just how long it can take to move beyond it - to digest it - and usually a person begins to do so after some time of rest and reflection. Hibernation almost; or withdrawing into the cave. That yin (the receptive) is so very present here in this casting of I Ching, and that S is now several years into co-parenting, it seems natural that an accord has been largely developed, and S moves now toward an active change for how S is perceived in the world. Certainly the readiness to jump into an I Ching reading speaks toward that readiness - to seek out new information.

{ photo credit }

On the outside then, or just behind the forehead, meditate briefly on the image of water. There are all kinds of water: rain, streams, oceans, lakes, rivers... Continue with observing your breath through your torso while imagining the qualities of water inside your head. Water amends - like Earth - to anything we give to it - boats, rocks, debris, sunken ships... and it is not something we can survive inside for any length of time without coming up for air. So there is a constant sense of 'alert' when water is present - despite its engaging beauty.

This water, this 'mastering pitfalls,' is in transition, moving in this case into Wind. Shift your meditation now to this image of Wind - moving from Water to Wind. It is a slight, yet dynamic shift. The air envelopes everything - as does Earth and Water - and Wind, covers a tremendous amount of ground quickly. Here, S's perception is growing - expanding. From a time of mystery perhaps, S moves into a time of Perspective...

{ photo credit }

S, spoke of a quality kind of like craving in our ensuing conversation. The lower three lines of each hexagram speak to this, in that the levels of personal, interpersonal, and societal are consistently receptive (yin). Being mid life (though S argues to be 1/3 through life!) S has available all the tools to do as is pleasing: sense of self - check - established relationships - check - and professional experience to draw upon to craft further a career...

... Yet at this time, S, awaits upon word of work in the fall, and is quite ready to make the move.

The movement in the top trigrams also speaks to this shift: water is the middle daughter, and wind is the eldest daughter. The movement in character alone depicts a kind of graduation, or a growing in authority. Given the underlying consistency of yin in the lower trigrams, S, has all the personal authority at the ready to claim this next move. She is consistently receptive on the inside trigram; that is, within her inner life and perceptions.

So all may appear well, in that a decision - or by a piece of new information - all may fall into place, and presto! all may be well. And right at that point bubbled up a sense of caution for me...

That this is a time of slight and gradual transition, the level of consistency here gives rise to becoming too passive in awaiting the change. The change is taking place out in the world, so there are factors at play that if one doesn't seize the day, certainly the day will unfold as it may... There is excitement to be found so long as there is no panic to do so.

Looking twice upon this caution, the idea of 'complacency' came to mind, yet only toward how S wants to be known in the world. That is, in having the life experience to draw upon, now is truly a time for not conforming to outside ideas. Rather, today is the day for capitalizing on the inward learning that has taken place in recent years, and moving actively into a sense of Decision based upon life's little lessons it must hand us. Such qualitatively-based decision making is like making the layers of inward looking decidedly active - seeking fulfillment or Satisfaction, perhaps uncovering something forgotten or delayed, starting that thing that has yet to be tried...

After a time of great change, or even upheaval, certainly a time of exhaustion and rest are probably the best thing to be doing: rest IS the action in such times. But once any 'craving' or unsettledness stirs, it is a time to consider taking concrete action, seeking out opportunity.

                        

Old & New. Part II

I met with another fine spirit this week, someone comparatively new to my life, who may well be in a similar 'family' of personhood as SG in my last post below: Old & New Part I. 

Kuan Yin (by Jan Zaremba)

MR, had a question pertaining to career direction, and at the time of casting, threw only young yin and young yang in the combination of "61, Sincerity in the Centre."

"Young" yin or yang, means that they are new. If they were "old," this only would denote that those lines (or, times) within the hexagram were upon a time of change, about to invert into their Other. I prefer to avoid the dualistic term 'opposite,' as I have found that when we pair things in such a way, the arising dependency intensifies: that each 'opposing' pair increases its need to be defined by the other within the pairing. I find such a mindset to be unhealthy, as it is ever ready to unwittingly create conflict. When things are defined communally, such territorial/philosophical cock-fighting can be avoided. So, in the example of SG prior, moving from 'Joy,' to 'Sameness,' there were two 'young' lines, and four 'old' lines. THIS IS NOT A COMMENT UPON A PERSON'S AGE: It is only to suggest the energy of the moment and the item being considered by the person casting I Ching has greater or lesser elements of transition present. Here, MR, cast all 'young' lines, and therefore is experiencing less "transition" in her qualitative day-to-day. Old and young denote the time of the event, where the action lies, and what decisions may lay ahead for best consideration: hence, the I Ching also being commonly known as 'the book of changes.' This is the study of Change. SG, is in a time of growth and the enhancement of acceptance. MR, here, is in a time of consideration. 

Change, is democratic of age and aging.

"61, Sincerity in the Centre," is described by lake on the inside - the lower trigram - and wind, on the outside/upper trigram. Lake, is synonymous with joy, and wind, with action. Thus may 'Sincerity' abbreviate into "Joy within Action." The overall judgement of this time points to "the centre," and though career decisions have an inherent confusion, the only successful road onto making a decision, is to look within.

MR is of such character inherently, and in a good place to be making this decision: MR is immeasurably conscientious, and if the feeling of each career option were to be sussed out first hand, the resultant decision will arise quite naturally. That is, if MR were to take a course or brief workshop pertaining to each field, by sampling each field and having an impression to work from, the impression which sticks most will be the career path best chosen. That at this time the 'Sincerity' is unmoving - that is, young - it is a good time for reflection, capitalizing upon the constancy at hand. If enough time passes and the decision has not been made and acted upon, MR would naturally become restless, regardless of an ensuing choice. So enjoy this time, MR. You have a great wealth at your disposal for making a true examination of your options at hand, and finding the career path which will give you a great sense of congruency in your life. Stay true and tuned to yourself.

Kuan Yin (photo credit)

If... IF... we look at the yin moments of this hexagram (lines 3 and 4) under the idea of (and I loathe say this) "weakness," then there is a couple of gentle cautions to consider. As above, contrasting yin/yang as "weak/strong" creates a less considered frame of reference for the intrinsic considerations of I Ching and internal alchemy. However, it is not without its degree of merit: When we are excessively receptive, then yes, this can be dangerous. Yet even under that light, I'd rather consider yin moments as invitations. Even conflict, when you really look back upon one, was - and is - an opportunity to create something worthwhile for all involved. Yin, then, as much as Yang, is inspiratory. When receptivity culminates, it cannot do otherwise BUT to invert into action; thus, are incidents of yin worthy of extra consideration under this light - not avoidance! 

Conversely, Yang, in excess, would be an invitation to question if one is being compelled, and moving headlong into danger.... a much different qualitative measure. Imagine if you will:  the biggest video game couch potato addict... at some point, said potato gets restless and goes out to grab some more chips! The receptive grows into action, and the active grow into the receptive... Truly: "the opposite" resides within. 

So... again using the idea of chakras: the third and fourth pertain to stomach and heart. (This is where our reading took an interesting turn... And if you're asking - but there's 7 chakras no?! Consider please that the TOTALITY of the hexagram to be synonymous with a total understanding, an arising unity which is often depicted by the 7th chakra. As a person steps through the six considerations given by any hexagram, the arising hermeneutics grant the reverie.) 

MR, coincidentally (or not, depending on how you may view things) is on a cleanse currently(!) I always recommend having fresh burdock root kicking about - detox or 're-tox' - as it is a powerful and delightful "re-set" for the digestive track. After developing some rather fearsome anxiety during my career in live-performance, the ensuing digestive troubles were indeed re-set by incorporating this into my diet. (I'm sure my fellow thespians would be much "relieved" to read this!!)

Now... pertaining once again to the Book of Gardens... #61 was a true pleasure to uncover in its writing, as it represents a culmination of several "voices" throughout the book... The I Ching is a thorough dissection of CHANGE...The I Ching is the anatomy of CHANGE, and its anatomy has many parts, components, and so then "voices." Looking to comprehend Change in an all-at-once glimpse is a monumental task for anybody. I think this is why we have such admiration for those who have done it so well, like Jesus, Buddha, and Lao-Tzu. Religion aside: those individuals are true exceptions, and whatever words they've left behind for the rest of us to read, are, in my opinion, worth reading. It feels good - at the very least - to be a part of such a dialogue.

Kuan Yin (photo credit)

In my rendition of "Sincerity in the Centre" I found a way to have both the masculine voice and the feminine voice speak simultaneously - for "opposites" to speak together. And further to my hesitancy over the mindset of opposites, I go so far as to claim Yin and Yang to be Lovers. Mother Earth is a Lover: Heaven, embraces: The Way, is a beautiful thin line of Love... And so, as an experiment, MR & I read the poem together: first, like a script (my line, your line), and then as music: as two instruments contributing to one piece of music. MUCH FUN!! ... As it is probably one of my favourite pieces in the book... I will not be putting it to print here.... Sorry. 

BUT! I am going to be publishing the Book of Gardens in book form very soon through Lulu self publishing. STAY TUNED! :)

Thanks so much MR! It was a beautiful day. Much to consider. Deliciously, and deeply so. Keep your aim true, as per your own personal rulebook. Only you can know if a "rule" has been broken: Sincere to oneself, you betray no other.

Old and New. Part I.

I had again the pleasure to cast I Ching this week - twice, graciously! - for two friends, one old, one new. 

SG, cast "16, Joy," moving into "13, Sameness with People." 

               

"Joy," interestingly is where I began writing the Book of Gardens: it was the first poem upon which I discovered so many 'rules' which would hold the Book together, as an artwork, and, as a contribution to the lineage of I Ching interpretation. That SG cast 16, brought about this memory for me: that Joy, is a great place to begin something.

Hexagram 16 is characterized by the image of Earth inside the image of Thunder. Earth is characterized by three lines of yin - broken lines - and whose nature, then, is flexible and of pure receptivity. When I was once lost to anger, I was advised to go and 'pound the earth,' or plow it, or hit it with a stick, as, "she could take it." Indeed, the Earth's embrace of our treatment is Great: met with an individual, she subdues, soothes, and loves. Though pure yin is often characterized as 'female,' I prefer to use 'The Feminine,' or better, 'the receptive.' Gender is often referred to in the I Ching, under several contexts, but if taken too literally, like, 'women are this way, and men are that way,' I find that what I Ching can offer a person begins to sound antiquated, or even silly.

Yes. Silly. (Click this!)

SG, is receptive quite naturally, and currently works in children's programming, a field which inherently asks for patience and fortitude. He also recently took on greater levels of responsibility within his organization. Between these two facts I found his casting of coins to be quite exciting. Comparing hexagrams 16 and 13 (in that order), the lower trigrams (bottom three lines) are moving from pure receptivity (earth) into illumination (fire), and the top trigram is moving from the action of thunder into the fuller action of heaven (pure yang). This suggests to me that if he continues along the active ground of being receptive - being actively receptive - this natural open welcome he possesses will allow him continued success toward the instruction and guidance of others - namely the young. Put another way, in all his actions, journeying from the inside and into the outward action of the work place, SG can travel quite literally from Earth to Heaven, from full and pure receptivity into full and pure action.

Presence, brings about Greatness.

If we look solely at the bottom lines of each trigram in this pair of hexagrams - that is, lines one and four in each body - there is a goodly amount of balance and constancy. The first (bottom) line of a trigram generally describes what takes place in a person's own self knowing. The fourth line of a hexagram depicts how they move this self awareness into the world. In 'Joy,' yin and yang are paired in the first and fourth lines, balancing each other. And SG here, is coming into a situation where he is rather balanced: he is self aware, receptive and humble to new information, and un-afeared to put his person into the world at large. At this time of change, of enhancement lets say, SG is moving into a time of greater action, as seen in the yang line in the first position of 'Sameness with People.' The yang lines in positions one and four of 'Sameness' can be interpreted here as mutually supporting one another, and there is also the potential of going to far, or being excessive. This is a mild caution in this case, as, moving from 'Joy' to 'Sameness,' the fourth line remains constant, and is supported by the other yangs of 'Sameness,' depicting a good/solid/supported outcome.

'Sameness,' first requires self-knowing, which SG practices in abundance. The bottom trigram of 'Sameness with People' is fire, or, illumination. Illumination inside, followed with heaven outside - fire into heaven. By pairing 'Joy' and 'Sameness with People,' we can see that flexible knowing, well rooted, is leading SG toward illuminated knowing: his personhood is growing, or, ascending. As indeed it should...

SG happens to be in his fifties. As the Chinese saying goes: "when you are 30, you are ready to walk; when you are 40, no one can fool you." And though I do not remember exactly what follows at 50, or 60, and onward... I would hazard to say that 'when you are 50, you can no longer fool yourself!'  Certainly, if there is grace in this life, SG reflects such by his general pleasant and optimistic demeanor. That he is in the position to guide children is in my opinion a beautiful thing, as his strategy of self awareness and self knowing appears to be moving toward being shared prolifically, shared well, and with grace, all by virtue of his inner life being flexible, receptive, and constant. When we look at the fourth lines of 'Joy' and 'Sameness,' both are yang, and again, this is the position of how ones self knowing moves through the world. There is a slight caution here of over-compensation for perhaps once being too passive (ie: the lower three yin lines in 'Joy'). On the flip side of that, lies the interpretation of constancy; that, things just get better as they age.

The other transition of note here is that in 'Joy,' there is only one line of yang; and in 'Sameness,' there is only one line of yin. The line of yin in 'Sameness' is in the second position - a lower chakra - and so I recommended that SG perhaps incorporate some more ginger into his diet (I like using ginger for tea myself: keep fresh roots in the freezer and grate the desired quantity into a tea cup for a spicy and pleasing drink). I wanted him to be certain that in this time of natural growth and expansion that his foundation (his kidneys) were well supported with routine care. Ginger tea, is easily something to look forward to, and so this caution is really a very light one. 

SG and I have crossed paths in a variety of circles over the years, and it was a true pleasure (honour!) to connect with him through my beloved study of I Ching. SG is clearly the person I had always sensed: a positive spirit, receptive and trustworthy, and a gentle leader. Thank you SG!! You are a fine example for us :) 

If anyone would like me to expound further on the pairing here of the second and fifth lines, or the third and six, do let me know. Each pairing reflects a different area of our life, and the pairing of hexagrams details how we are changing at this time; what we can work toward, hope for, and be cautiously aware of. A total appreciation of the Change at hand often brings about increased self awareness, acceptance, conscientiousness and tranquility. 

Thank you SG!! :)

Inside & Outside

Find a copy at Alibris.

I came across something important in Thomas Cleary's "Toaist Meditation," which is worth mentioning in regard to several posts below - and certainly for the posts to come - on the nature of 'inside and outside.'

Much of my interpretation of the images in the hexagrams and trigrams uses these terms, and I need be clear that they do not exclude each other. That is, one is not of greater importance, and in fact, they are not separate entities. I think that this is readily understood with popular phrases like "we are all one" but is a far more intricate process to embody. As described in my other blog & post, "Indigo Washing," is well worth keeping an eye on. Professor Cleary says it like this, in his musing on "Stability:"

"Rather than approving inwardness and denying the external, it is best to forget about inside and outside."


Inside and Outside are simply tools to orient the mind and distill its liveliness. This distillation is simply a redirection of mental energy which is otherwise scattered; a ping-pong ball bouncing between two courts, "...what should I do... what should I do..." So the instruction here has three parts: recognize what is 'inside,' by which I also use the term "body;" recognize what is 'outside,' by which I also use "mind;" and recognize the habit of mind which would otherwise keep them appearing as separate.

For example!!:)

How often have you come across a moment where a person is saying one thing, and doing another? Even though thought takes place silently, I find them quite terribly visible through the body. How often have you been 'holding your ace card' in conversation? And does not that feel like tension? Certainly it is necessary to navigate our human world with some essential protections as "the world is full of trickery" (Desiderata). However, I do not think one's emotional state need be held hostage on account of this.

I find that worry is often a wedge for me between inside and outside: how will I be perceived if I say/do such and such, for example. The worry - the emotionality - however necessary, creates a false perception of separateness. If held to a state of worry, isolation follows; and ones actions may not be congruent with ones words or best wishes. As a stage actor, one learns to project - not only ones voice - but also ones thinking. I believe that is what the audience enjoys most, actually: those silent exchanges when a penny drops. It confirms and strengthens for us the tool of intuition, which I think always feels so pleasurable regardless of its actual instruction. Intuition is honest through and through. Thus Hamlet's advice to the players is strong advice for anyone: suite the action to the word, the word to the action...

So: when I speak of 'Inside & Outside,' please step through their three components: breath deep into your body with the description of the 'inner' image upon your thought (ie: illumination, or stillness, or joy, etc) which will generate a feeling 'inside' the body; then, imagine the description of the 'outer' image (ie: illumination, joy, etc) as something by which one is surrounded, which generates a feeling of mind. Continue focusing on your breath, and: Holding these two objects in place - inside the body, and surrounded by mind - bring the two feelings together into one unified feeling: "illumination inside joy," or "action-inside-danger," or "heaven-inside-action," etc, as per any one hexagram of the I Ching.

As I hope you are coming to see, becoming familiar with the eight trigrams alone goes a long - long - distance toward the embodiment of I Ching principles: heaven, earth, water, fire, mountain, thunder, lake, joy. Perhaps some day I will have the opportunity to learn the Chinese language, as I imagine the pictorial aspect of the language to be much more efficient than in the English.

{Image found at Rythm I Ching}

Aside from inside & outside referring to the top and bottom of a hexagram, inside & outside also point one more layer deeper to the inner and outer layers of yin/yang of the trigram. For example, the inside of water is yang while its outside is yin; fire, conversely, is yin on the inside and yang on the outside. If you bring your mind entirely to each of these elements, imagining each angle of their 'person,' inner and outer, you'll find that this is an accurate and eloquent way to express their natures.

Which brings us closer to the essential character of yin and yang... but we'll save that for later :)

Please leave a comment or question below. I would be most happy to clarify further, and I wish for you a truly wonderous day.

Fire below the Mountain: bookend transition with reflection.

My new friend Tomasz came by for dinner at the Edmonton house. We had a lively discussion all evening centering on the state of the world, global powers and elites, the economy, and the like. Our mutual friend, S (a philosopher with his own practice called ASK, Assisted Self Knowledge) took us to the test on any statements of potential conjecture. Though that can be uncomfortable, on important topics it is all the more important to do so, as conjecture is a very limiting force, being a pervasive yet subtle power.

I did not ask for Tomasz's question until after he had thrown the coins and I spoke about the images. There was some foundational movement at this time in the lower part of the hexagram. He threw, 22 Adornment, and 18 Degeneration: the stillness of Mountain in the outside (the mind) and moving from Fire (illumination) to Wind (action) on the inside (the body). ... Stillness on the outside, illumination on the inside, moving into action...

Tomasz is well traveled in life. He has lived in many countries, is approaching the grand man's time of fifty years old, and has a multitude of experiences to draw upon. Indeed in the position of mind there is stillness here, and fewer questions on self-hood at this juncture. "Mountian, is where you loose the self" says Thomas Cleary (much more on him to follow:). What caught my attention, naturally, was this inversion in the lower trigram. The bottom two lines are changing. The expression of the bottom two lines on their own could be read as moving from Spring to Fall, and I spoke much on this first image.

Adornment, is described by Fire below the Mountain, illumination inside stillness. I always imagine sitting nestled into the mountain at lakeside on a calm evening when Adornment arises. It is a time of something even more still, more radiant, than simple reflection; but is rather a deepening appreciation of one's physical body, the miracle of one's blood and neurons, emotions, and that this body is a filter for Life... All these things coming to a point of radiant calm confidence and observation... an inner sparkling darkness... the night sky within ones own skin. ... The image of illumination inside stillness alone is worth contemplating.

The first sages who (possibly unbeknownst to them) set out on developing I Ching, sat around fires, asking questions to the stars, the cosmos, and threw bones into the fire to be cracked by the drying heat. Imagine now the pictorial quality of the Chinese language... In asking these questions, and allowing the divining powers of nature to bring back their 'answer' for examination, these early sages developed in time a cataloging system of these bones and their cracks, discovering patterns within the questions themselves - and even the questioning - like a 'primitive' quantum physics. Over several millennia, the patterns coalesced into what we now know to be the 64 hexagrams of the I Ching. It is truly a most remarkable accomplishment, brought together through observable and natural elements.

So I think of Adornment as a time of great beauty, in fact. It has such a bulk of history and genuine inquiry contained within it.

"Relax into the kidneys: doubt is simply time feeling like regret." Is my interpretation of the mountain under which the fire of Adornment nestles... "Relax into the kidneys: doubt is simply time feeling like regret."  I brought T toward this image, and this feeling in his body, a place of pervasive security and nurturance. I explained briefly the history and use of fire in I Ching, as well as my own time sitting below a very specific mountain... deep into my own research and writing. When we truly still ourselves, there is always a great bounty within. Tomasz, is about ten years further into his time than I am, so there is much treasure here.

All along this time with Tomasz, I was offering a caution, as the action of Wind is approaching. Indeed, Degeneration, offers many forewarnings on the nature of corruption, and how at the heights of strength  the prior seeds of weakness are often revealed. Do not hide them! Be ruthlessly honest, and scrape away any inconsistency. It is the way through to success... I was somewhat insistent that Tomasz use this feeling of reflection from Adornment - like wearing a crown - as a REMINDER for going forward. It is easy to alienate others, or alienate oneself from others by way of knowledge. By staying still to the beauty of our experiences though, we become so very inviting, and put ourselves in a position of sharing our innate wisdom; our most mature selves.

If one is 'newly minted' with a peak spiritual experience, it is a time of caution. Of tending the fire gently. As, if one claims enlightenment (illumination) to soon into the world... some form or other akin to corruption gains traction within ourselves. Beauty itself the intoxicant, my friends(!) Enjoy, but do not linger :)

Of course we all want to feel AWE. And, more keenly, to speak of this experience articulately. What is of great importance is the timing within ourselves for the quality to arise by which we share this awe. Too soon... and others may not follow. Too late? ...don't worry about it.

So: as we move into action, notably after a period of great discovery, this is indeed like "crossing a great river" (TC). And to be in such a position, is a great honour(!) I am happy for you, Tomasz!

Jung says that our second half of life is far more interesting than the first, to which I must concur (I am just at its starting gate, and am loving it!) And yes, it is like crossing a great river: one must prepare "Three days prior. Three days after" (TC). We must bookend our transitions with preparation and reflection.

The complete gorgeousness of Adornment cannot be underestimated in its usefulness. It follows on 21, Biting Through, which is a powerful and turbulent time. Thus Adornment is in itself a form of 'success.' Personally, I define success as contentment. That deep long exhale which happens upon the heels of an achievement. By focusing on the words, "illumination inside stillness,"  this gorgeous feeling will be an important anchor for Tomasz.

Tomasz now steps into what I hope and trust will be a time of quality-based action. Qualitative Action. This is not the action of a young man who has things to figure out, nor the action of youth which rails at others from inside their unknowing. This is the action of learning how best to proceed, with all the wisdom of the first half of life to inform, as we share our best knowing.

Much love Tomasz. May you always have long life, radiant good spirits, and excellent health. Remember the Zen saying, "your poverty, is your treasure" and return to that deep breath, deep into the kidneys.


Please see my "Book of Gardens" for my complete interpretation of Thomas Cleary's 'Budhist I Ching.'

Ahh... True love. Do you exist?!

A few days prior, another long time pal, S-S, asked a question of the I Ching, and 48 The Well, and 5 Waiting, came back in response. S-S was wondering When will I find true Love?

A good and timeless question.

That said, I thought: By what method will I find true love? might offer a pleasing thoroughness, to which S-S agreed.

Clearly spring approaches, and the ground stirs. The Well, has an element of community, and ones awareness of community, or communal-ness. Also, there is the aspect of 'bringing up water.' The inner activity of The Well, is of the trigram Wind - action - and this activity was moving toward the Heaven aspect inside Waiting: pure yang.

The Well, holds water - some in stasis, some in motion - and so too does Waiting. But there is nothing passive going on here: Nor is there any focus on the past! Waiting can be radiant, present, and the 'heaven' of love's waters reflect such. At risk of breaching the content filter of this site, I'd have to say... lush.

I figured, then, that S-S knows exactly what she needs and wants. Outwardly, the water/danger element stays in the outside position - in mind - in both hexagrams, unchanging. That there was one small movement in her casting - from the action of Wind to the action of Heaven - that very first/bottom line in the hexagram - the foundation - suggested to me that this is another time of gentle and loving introspection, and attending greatly to physical health. Every person knows their own feelings regardless of the time or credence paid to them, and certainly by adulthood, we know what makes our feelings 'tick.' ... Take many hot baths, and lather with quality (organic) oils afterward, know your mind, and then... well... wait. Wait with all the radiance of simply being alive.

So the only caution here, is, of course, in the mind: in thought. The classic 'robber barren!' I recommend lots of deep belly breathing, especially when you 'think' you are close, at the edge of success. The eagerness, spoils, and the readiness... is indeed all.

May much love come to everyone.
Stay in touch S-S: you are always loved.


(Please see my "Book of Gardens" for further detail.)